“This isn’t Hip Hop. It’s Urban Choreography.”

Different languages of the world (chinese, spanish, english) are kinda like different dance styles (ballet, jazz, hip hop).  We’re able to distinguish between different kinds, because each language uses its own unique rules of grammar and sentence structure, just as each dance style uses its own steps and technique.  Over the years, languages and dance styles have changed.  We’ve used the term EVOLUTION to describe what we see now in Hip Hop versus what it was in the past.  On the other hand, I think what has emerged over time isn’t Hip Hop itself, but instead a different dance style that was INSPIRED by Hip Hop.  Urban Choreography–an entirely separate language, born and inspired by a collection of the earlier languages.  For example,  Tagalog (Filipino) was formed and influenced by the Spanish, Malaysian, English, Arabic, and Chinese languages.  Couldn’t we say that like Tagalog, our dance style was inspired by Hip Hop as well as other styles of dance, and has collected all of that to become it’s own language with it’s own unique structure?  We wouldn’t call Tagalog “Spanish-evolved” or “Chinese-evolved,” simply because the three languages follow entirely different rules.

Nowadays, people have a few different names to refer to the style of dance being taught in many Hip Hop classes:  LA style, West Coast style, commercial Hip-Hop, new-style Hip Hop, but to call it Hip Hop is to assume that it follows the basic fundamentals of Hip Hop dance–techniques in breaking, locking, popping, wacking, funk, groove, swagg etc.  I’m no Hip Hop head… I’ll admit it.  But when I SEE breaking, locking, popping, and all other styles of true Hip Hop dance, there is no denying that there is a totally different look to that kind of Hip Hop compared to what we call “new hip hop,” which varies greatly according to individual interpretation and also lacks greatly in strict rules and technique.

Louis Mordekhai